VANITÉS

VANITÉS

Vanités

Pauline Dau

 

– September 2017 –

ABOUT THE ARTIST

© Morgane Légo

Physical and burlesque, theatre and circus, dark humour and white face clown, Dalida and Fanny Ardant, kitschy and classy, in her first solo performance Pauline Dau assembles genders and invents a one-woman circus show in which she performs acrobatics, hula hoop but also singing and acting.

She plays all the characters of her portrait gallery in order to grasp what makes us, what are we produced from.
In this energetic and intimate performance, she gets inside the voices and faces, taking the audiences on a fiery and exuberant journey.

Cast

Author and performer: Pauline Dau
Insight: Jean-Battiste Couton
Lighting design: Roland Catella
Office management: l’Avant Courrier – Louise-Michèle You, Emmanuelle Nonet
Production and touring managment: l’Avant Courrier – Elsa Lemoine, Nolwenn Manac’h

Partners & Co-producers

Co-production: Cirk’Eol ( Montigny-lès-Metz)
Supports: La Région Pays de la Loire, La Grainerie (Toulouse), Archaos – Pôle National Cirque Méditerranée (Marseille), Daki Ling, Le jardin des Muses (Marseille), La Faïencerie (Creil), Le Cheptel Aleikoum et l’Echalier (Saint-Agil), l’Atelier du plateau (Paris).

Basic facts

September 2017

Proscenium stage – Indoor (theatres or other venues which are not specifically dedicated), 20 to 250 people – close proximity of the audience with playing area
50 min – From 5 years on

Acrobatics, hula-hoop, singing, speaking.

YOUR CONTACT :
Nolwenn Manac’h
nolwenn[@]avantcourrier.fr
+33 6 76 78 01 19

CRY ME A RIVER

CRY ME A RIVER

Cry me a river

Sanja Kosonen

 

– March 2021 –

ABOUT THE ARTIST

© Sébastien Armengol

In 2007, in Finland, Sanja Kosonen participated in a workshop on “crying chants” in Finland, organised by a group of contemporary singers whose aim is to revive and reinvent the forgotten tradition of Karelian mourners. They practised these improvised chants on their own, in the forest or during rites of passage. The poetical power of words associated with a distinctive rhythm and a crying melody provided an atmosphere for abandonment.
Since then, Sanja has integrated to some degree this ancient wisdom.

She is struck by the fact that our “modern” societies seem to have forgotten about rituals of shared emotions or to consider those as a sign of weakness. The concept of crying guides her as much towards the river deep inside the human being as it evokes the absurdity and akwardness demonstrated when dealing with private emotions.

She imagines a multidisciplinary performance, a combination of dancing, singing, circus and fine arts.

Cast

Director: Sanja Kosonen

Performers: Nedjma Benchaib Le Coeur, Jeremie Bruyere, Muriel Carpentier, Sanja Kosonen , Sampo Kurppa,, Inka Pehkonen, Olli Vuorinen

 Light: Julien Poupon

Lighting manager: Julien Poupon or Lila Burdet

Music: Sami Tammela

Sound manager: Geoffrey Daguet

Video: Muriel Carpentier.

Costume design: Mickaël Lecoq

Set design: Sanja Kosonen, Muriel Carpentier

Assistant director: Marylou Thomas

Artistic advisor: Minja Mertanen

Building and design: Jeremie Bruyere, Muriel Carpentier, Alice Carpentier, Michel Carpentier

Production, touring and office management: L’Avant Courrier / Nolwenn Manac’h, Louise-Michèle You and Emmanuelle Nonet

Partners & Co-producers

Co-production: Le Prato- Théâtre International de Quartier, Pole National des Arts du Cirque- Lille; La Plateforme 2 Poles Cirque en normandie –La Brèche à Cherbourg et Cirque Théâtre d’Elbeuf; CCN2 Grenoble – Centre Chorégraphique National de Grenoble – Direction Yoann Bourgeois / Rachid Ouramdane; Le Carré magique -Pole national des arts du cirque en Bretagne; La Verrerie – Pole National Cirque Occitanie; Onyx-Théâtre de Saint Herblain.

 In-residencies: Cirko – Center for New Circus – Helsinki Finland; Ay Roop – Laboratoire permanent pour les arts du cirque; La Grainerie Fabrique des arts du cirque et de l’itinérance; La Cité du Cirque for Pole Régional Cirque Le Mans in partnership with La Fonderie  / Le théâtre du Radeau; Le Monfort théâtre; le théâtre du peuple-Pierre Bénite, Chepteil Aleilkoum

Supports: French Government – Direction régionale des affaires culturelles (DRAC) des pays de la Loire et Direction Générale de la Création Artistique (DGCA), Département of Loire Atlantique, Région of Pays de la Loire, Finnish cultural fondation (Suomen Kulttuurirahasto), Arts Promotion Centre Finland (Taiteen edistämiskeskus), SACD – Bourse Beaumarchais.

Basic facts

March 2021
in la Brèche Pole National Cirque de Normandie, in collaboration with Le Trident, Scène nationale de Cherbourg-en-Cotentin.

Proscenium stage Indoor, Up to 600 personnes
70 minutes – From 10 years on

Circus, visual art

Press

«Arising from a desire to write about the expression of emotions, Sanja Kosonen’s creation is a bewitching performance which peculiar atmosphere is revealed through fragmented tableaux blending song, dance and circus arts harmoniously. (…) This is a piece of authentic contemporary writing. Indeed, instead of showing acts one after the other or displaying a mere narrative dramaturgy, the performance consists in a tiling of scenes that stand out against a background of darkness, as in a dream which surrealistic episodes only make sense on an intimate and symbolic level.» Mathieu Dochtermann, La Terrasse, September 2021

YOUR CONTACT :
Nolwenn Manac’h
nolwenn[@]avantcourrier.fr
+33 6 76 78 01 19

FAIRE UN TOUR SUR SOI-MEME

FAIRE UN TOUR SUR SOI-MEME

Faire un tour sur soi-même

Matthieu Gary / La Volte cirque

 

– June 2022 –

ABOUT THE ARTIST

© Étienne Charles

A lecture on the somersault. Faire un tour sur soi-même is a very personal investigation about movement.

A one-man show halfway between an autobiographical account of twenty years of acrobatic practice and a lecture i.e. the accumulation of observations, images and philosophical, sociological and historical reading.

What is a somersault? What is it for? Where to see somersaults? How long have we been performing somersaults? These are some of the questions I will try to answer.

-> Faire un tour sur soi-même has won Artcena’s prize for the production of playwriting 2022 (Aide nationale à la création de textes dramatiques 2022).

Cast

Written and performed by Matthieu Gary
Outside eyes Alice Zeniter
Lights Etienne Charles
Office Management Clémence Mugard L’Avant Courrier
Administration Valeria Vukadin

Partners & Co-producers

Production: Compagnie la Volte-cirque, with l’Avant courrier

Co-producers: Le Plongeoir – Cité du Cirque, Pôle Cirque Le Mans (72) ; Le Grand R, scène nationale, La Roche-sur-Yon (85) ; Cie MPTA – festival les Utopistes (69) ; ONYX-Scène conventionnée de Saint-Herblain (44) ; Communauté d’Agglomération Mont Saint-Michel, Normandie (50).

Support: Le Monfort théâtre, Paris (75) ; La Fabrique – laboratoire artistique Dervallières, Nantes (44)

Basic facts

June 2022

Show-conference, Indoor, proscenium or semi circular stage,1 50 people 
70 min – From 13 years on

YOUR CONTACT :
Clémence Mugard
clemence[@]avantcourrier.fr
+33 6 15 40 04 82

CHUTE !

CHUTE !

Chute !

Matthieu Gary et Sidney Pin

 

– March 2016 –

ABOUT THE ARTIST

© Vasil Tasevski

Attempting a spectacular dialogue, two acrobats of the same size, weight, and age formulate interrogations:

What does the acrobat tell us? What can he teach us?

What does an acrobat tell us as he falls? How is he prepared to withstand gravity?

As he leaps through the air, does the acrobat dream of flying or falling?

What sort of relationship does he have with death?

With life? With risk-taking?

With fear of heights?

Cast

Writers and performers: Matthieu Gary and Sidney Pin

Artistic insight: Marc Vittecoq

Lighting design: Clément Bonin

Office Management: Valéria Vukadin

Production: Porte 27

Touring Management: Clémence Mugard – L’Avant Courrier

Acknowledgements: Thomas Laigle, Pauline Dau, Lawrence Williams, Fanny Sintès, Suzanne Sebö and Marion Collé

Partners & Co-producers

Production Porte27

Co-producers: Le Théâtre de la Madeleine – Scène conventionnée de Troyes, l’Espace Périphérique (Mairie de Paris – Parc de la Villette)

 Support: Le Nouveau Relax – Scène conventionnée de Chaumont, Balthazar – Centre des arts du cirque de Montpellier, Le Manège de Reims – Scène nationale, Le Monfort – Paris, Cirque en Scène – Centre des arts du cirque de Niort, L’Echalier -Agence rurale de développement culturel de Saint Agil, Cirk’Eole – Montigny les Metz

Basic facts

March 2016

Tribune seating on four sides, 170 people
52 min – from 8 years on

Ground acrobatics, Acro balancing.

VOTRE CONTACT :
Clémence Mugard
clemence[@]avantcourrier.fr
+33 6 15 40 04 82

MARATHON

MARATHON

Marathon

Sébastien Wojdan

 

– January 2013 –

ABOUT THE ARTIST

© Sébastien Armengol

Marathon is a circus solo, a challenge that consists in performing alone in the ring. Running as a metaphor nurtures a need for solitude through extreme physical activity and repetitive action. The tenacity of a man to overcome an exhausted body pushed to its utmost limits. Body temperature rises, the heart beat accelerates, hands start shaking.

Panting for breath, fear and distress become manifest.
By dwelling on our childish heroic enthusiasms, Marathon puts to the testthe mutation of our dreams.

Cast

Writer, performer : Sébastien Wojdan
Outside eye : Gilles Cailleau
Artistic collaboration : Guillaume Sauzay (Gus), Elice Abonce Muhonen
Light and props : Pierrot Usureau or Loïc Chauloux
Sound and Props : Mickaël Remigereau orFranck Beaumard
Construction : Benjamin Bottinelli Hahn and Luc Mainaud
Office management : Yvain Lemattre
Production and touring management : l’Avant Courrier – Nolwenn Manac’h

Partners & Co-producers

Co-productions : Carré Magique Lannion Trégor, Pôle national des arts du cirque en Bretagne / Le Grand Pré, Scène de Territoire / Centre National des Arts de la Rue, Le Fourneau

Supports : Espace Périphérique, Ville de Paris – Parc de la Villette / Le Trio Théâtre / Cirk Eole / Centre des Arts du Cirque Balthazar – Languedoc Roussillon / Le P’tit Cirk / Cirque Melem / Compagnie des Demoiselles / le Théâtre de la Folle Pensée

Basic facts

 2013

Circular tribune (we provide for our tribune and structure). Indoor & Outdoor. 160 people
80 min – From 6 years on

Juggling, knife throwing, slack wire, music.

Press

«With the rage of a boxer and the stamina of a long-distance runner, Sébastien Wojdan embarks the spectator on the razor’s edge, in a show of drawn daggers. Marathon, the aptly named, superb universe of punk poetry distilled in a Circus ambiance.” Hervé Queille – Le Télégramme –  2 April 2013

 

«  As each new presentation of skill comes, one after another in never-ending succession, I think on the passage of time, and the series of ridiculousnesses that makes up a life.  Marathon is a sophisticated circus that doesn’t lose it’s accessible crowd-pleasing heart for a second.” The Circus Diaries de Katharine Kavanagh – 24 Octobre 2014

YOUR CONTACT :
Nolwenn Manac’h
nolwenn[@]avantcourrier.fr
+33 6 76 78 01 19